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supported by 5 fans who also own “Niech się koła toczą”
The first track is a bit of an outlier, perhaps connecting back to earlier albums where jazz foundations lead the way, before going all out berserk with the beats, beats, and beats. Bass and electronics are now the mainstays over the hip-hop influenced rhythms. But the horns are still layered back in with style. I initially passed this over, but the Szlam / Ścieki tracks blew my socks off and in desperation for more, I was led back to this. I can't wait to see where Błoto go next.
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supported by 5 fans who also own “Niech się koła toczą”
yes yes yes!!! After transcendant Erozje by Błoto... here you are boys... so so eclectic, now able to reach even the youngest generation, I love U boys as always!!!! ...
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supported by 4 fans who also own “Niech się koła toczą”
this is soooooo good! excellent recreation, tribute and transformation, bringing light from old to new.
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A fresh, constantly-evolving vision on Americana from the New York trio, weaving together bluegrass, roots music, and pop rock.
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featured on Bandcamp Radio Apr 23, 2019
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Cure for Dreaming
by Jenny Gillespie
’70s-influenced folksy songs adorned with smoky vocals that contemplate motherhood, marriage, and spirituality.
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supported by 4 fans who also own “Niech się koła toczą”
Damn do these tracks slam! Damn are they sick! Or actually... they szlam! And they are ścieki! Okay sorry, I don't speak the language, it's just that these inspire me to move and dance and to have a good time. This is like Kwasy I Zasady - more electronic and beat focused than jazzy - but polished up, amped up, and basically taken to a whole other level all around. A full album like this would be an absolute beast. I just can't get over that groove in Ścieki. Damn is it filthy!
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